I'm Very Opinionated.

I Got Interested In The Idea Of Music That Could Make Itself, In A Sense, In The Mid 1960s Really, When I First Heard Composers Like Terry Riley, And When I First Started Playing With Tape Recorders.

We Have Two Different Ways Of Working. One Is Completely Unstructured Where Somebody Just Starts Playing And Somebody Joins In And Then The Other Person Joins In, And Something Starts To Happen. That's Occasionally What Happens. What More Often Happens Is That We Settle On Some Sort Of - A Few Sort Of Structural Ideas, Like, "okay, When I Put My Finger Up, We're All Going To Move To The Extremes Of Our Instruments. So, That Means You Can Only Play Either Very High Or Very Low Or Both. And We're Going To Stay There Until I Take My Finger Down.

One Of The Great Breakthroughs Of Evolution Theory Is That You Start With Simple Things And They Will Grow Into Complexity.

I Think Most Artists Would Be Happy To Have Bigger Audiences Rather Than Smaller Ones. It Doesn't Mean That They Are Going To Change Their Work In Order Necessarily To Get It, But They're Happy If They Do Get It.

Art Is Not An Object, But A Trigger For Experience.