I Make Films About Working Class People.

Well I Don't Think I've Scored My Life Exclusively To Ray Charles.

When I Finish A Film, I Put It Away And I Never Look At It Again.

I Make Films About Working Class People. All My Films Have Always Been About That. For Example, The Brothel Is A Workplace. It's Aberrant, But A Workplace Nonetheless. I Was More Interested As Opposed To Glamorizing And Saying, Oh, This Is A Great Erotic Place, It's A Place Of Business. The Commodity Is Sex.

But The Process Of Making A Film Is Not Glamorous. Certainly Not My Films.

The Most Disgusting, Appalling Horror Of Our World That We Live In, To Me, Is Sex Trafficking And The Enslavement Of Men And Women, Boys And Girls, In The Sex Industry. That Is The Most Horrific, Horrific Thing That's Happening And It's Happening In All Of Our Towns Here In Los Angeles, In New York, In London, In Paris, All Over The World, And I Think That's Really What Has To Be Addressed.