I Make Films As A Business, Not

I Intend To Work Until The Day I Die. I Retired From Feature-length Films But Not From Animation. Self-indulgent Animation. It's Nice That I Have The Mini-theater In The Museum. Most Of The Museum Visitors Attend The Mini-theater Screenings And We've Never Had A Complaint About The Quality Of The Films. I'd Like To Continue To Make Films That Leave The Audience Satisfied, But I Also Think It's Pointless Unless I Offer Them The Kind Of Animation They Can't Get Anywhere Else. They're Fun To Do. They're Short So It's Less Stressful.

Almost All Japanese Animation Is Produced With Hardly Any Basis Taken From Observing Real People, You Know. It's Produced By Humans Who Can't Stand Looking At Other Humans. And That's Why The Industry Is Full Of Otaku!

The Single Difference Between Films For Children And Films For Adults Is That In Films For Children, There Is Always The Option To Start Again, To Create A New Beginning. In Films For Adults, There Are No Ways To Change Things. What Happened, Happened.

I Think Talent Decides Everything. More Than The Method, What's Important Is The Talent Using It. There's Nothing Inherently Wrong Or Right About A Method, Whether It Be Pencil Drawings Or 3-d Cg. Pencil Drawings Don't Have To Go Away, But Those Who Continue To Use The Medium Lack Talent. So Sadly, It Will Fade Away.

Maybe That's What These Films Are Doing. They Are My Way Of Blessing The Child