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I Prefer To Shoot The Arrow, Then Paint The Target Around It. You Make The Niches In Which You Finally Reside.
-Brian Eno
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I Prefer To Shoot The Arrow, Then
Brian Eno
I Prefer To Shoot The Arrow, Then Paint The Target Around It. You Make The Niches In Which You Finally Reside.
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Arrows
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Niche
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You Either Believe That People Respond To Authority, Or That They Respond To Kindness And Inclusion. I'm Obviously In The Latter Camp. I Think That People Respond Better To Reward Than Punishment.
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You Know That In Order To Copyright Material Somebody Has To Write It Down For You. Any Piece Of Recorded Material Has To Be Scored In Order For It To Be Copyrighted. I've Seen The Scores Of My Things And They Don't Resemble The Music In Any Way. If You Give Them To Somebody Who Has Never Heard The Music And Say, "what Does This Sound Like To You?" They'll Play You Something That Has No Relationship With The Music It Derives From. Notation Simply Isn't Adequate.
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If You Think Of The Way A Composer Or Say A Pop Arranger Works - He Has An Idea And He Writes It Down, So There's One Transmission Loss. Then He Gives The Score To A Group Of Musicians Who Interpret That, So There's Another Transmission Loss. So He's Involved With Three Information Losses. Whereas What I Nearly Always Do Is Work Directly To The Sound If It Doesn't Sound Right. So There's A Continuous Loop Going On.
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What Matters In Modern Music Is Not The Part You Can Write Down, The Words And The Tune, But The Rest - The Texture, The Atmosphere, The References And Associations.
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When You Look Back On A Historical Period Of Music, It Seems So Obvious To You What The Characteristics Of It Are, But They're Not Obvious At The Time. So, When I Look Back At My Own Work, I Could Easily Write A Very Convincing Sort Of Account Of It That Made It Look Like I Had Planned It All Out From Day One And That This Led Logically To That And Then I Did This And Then That Followed Quite Naturally From That. But That's Not How It Felt.
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