I Sit In The Dark And Wait

You Come By Your Style By Learning What To Leave Out. At First You Tend To Overwrite—embellishment Instead Of Insight. You Either Continue To Write Puerile Bilge, Or You Change. In The Process Of Simplifying Oneself, One Often Discovers The Thing Called Voice.

I'm A Line-maker. I Think That's What Makes Poets Different From Prose-writers. That's The Main Way. We Think, Not Just In Sentences The Way Prose Writers Do But Also In Lines. So We're Doing These Two Things At The Same Time.

A Motto I've Adopted Is, If At First You Don't Succeed, Hide All Evidence That You Ever Tried.

I'm Speaking To Someone I'm Trying To Get To Fall In Love With Me. I'm Trying To Speak Intimately To One Person. That Should Be Clear. I'm Not Speaking To An Audience. I'm Not Writing For The Podium. I'm Just Writing, Trying To Write In A Fairly Quiet Tone To One Other Reader Who Is By Herself, Or Himself, And I'm Trying To Interrupt Some Silence In Their Life, Which Is Utterance.

I Just Think That The World Of Workshops - I've Written A Poem That Is A Parody Of Workshop Talk, I've Written A Poem That Is A Kind Of Parody Of A Garrulous Poet At A Poetry Reading Who Spends An Inordinate Amount Of Time Explaining The Poem Before Reading It, I've Written A Number Of Satirical Poems About Other Poets.