I Take No Notice Of The Trends.

For Me The Journey Of Making A Film Is A Journey Of Discovery As To What That Film Is. I Mean What I Do Is What Other Artists Do, Painters, Novelists, People That Make Music, Poets, Sculptors, You Name It. It's About Starting Out And Working With The Material And Discovering Through Making, Working With The Material The Artifact.

I've Walked Out Of Films. But For Every Film I've Ever Walked Out Of, I've Probably Walked Out Of 500 Plays.

I Know, That Trends And All Of Those Things And Formulae That Calculate What Audiences Want To See And What Audiences Don't Want To See And Various Other Demographic Demarcations Are The Eccentric And Ludicrous Prerogative Of Hollywood Studios. But Out There In The Real World - By Which I Mean The Rest Of The World Where We Make Truthful Organic Films, Independent Films Unimpeded By Interference - It's Not About All Those Sort Of Calculating What Is Commercial. It's About Wanting To Say Things And Saying Them In A Way That Will Get Through To People.

I Wonder If I Would Have Been Capable Of Producing Anything If I Worked In A More Conventional Way With A Prewritten Script, Because I'm Of The Procrastinator Class.

Given The Events Of Even The 19th Century, Zionism Was Inevitable. Given The Events Of The 20th Century, Israel Was Inevitable.