I Take The Museum Space Also As

No Matter How Advanced Society Becomes, Institutionally Or Technologically, A House In Which Nature Can Be Sensed Represents For Me The Ideal Environment In Which To Live. From A Functional Viewpoint, The Courtyard Of The Rowhouse In Sumiyoshi Forces The Inhabitant To Endure The Occasional Hardships. At The Same Time, However, The Open Courtyard Is Capable Of Becoming The House's Vital Organ, Introducing The Everyday Life And Assimilating Precious Stimuli Such As Changes In Nature.

Spiritual Space Is Lost In Gaining Convenience. I Saw The Need To Create A Mixture Of Japanese Spiritual Culture And Modern Western Architecture.

The Level Of Detail And Craft Is Something That's Inscribed Within The Original Design Concept. And So When I Begin To Draw, I Know What Kind Of Detailing I Want The Building To Have.

Japanese Traditional Architecture Is Created Based On These Conditions. This Is The Reason You Have A Very High Degree Of Connection Between The Outside And Inside In Architecture.

I Think Of The Past And The Future As Well As The Present To Determine Where I Am, And I Move On While Thinking Of These Things.