I Think That If You're A Digital

The Starting Point And The Ending Point Are Nothing But Two Arbitrary Choices. You Make Them As In Soccer Games, Where They Chose That It's 90 Minutes, Not Less And Not More. But The Choices Are The Responsibility Of The Filmmaker. You Have To Choose To Join The Story At An Arbitrary Point, And You Leave It At An Arbitrary Point.

When I Find The Character, I Try To Spend Time With Them And Get To Know Them Very Well. Therefore My Notes Are Not From The Character That I Had In My Mind Before, But Are Instead Based On The People I've Met In Real Life.

We Don't Look At Each Other [in The Car], But Instead Do So Only When We Want To. We're Allowed To Look Around Without Appearing Rude. We Have A Big Screen In Front Of Us And Side Views. Silence Doesn't Seem Heavy Or Difficult.

There Were Years When Hitchcock Was Like A Master To Me, But Now I Think He's So Artificial. I Can Watch Films And Say How Technically Beautiful They Are, But I'm Not Impressed By Any Technicality.

While Shooting Ten I Was Sitting In The Backseat, But I Didn't Interfere. Sometimes, I Was Following In Another Car, So I Was Not Even Present On The "set", Because I Thought They Would Work Better In My Absence.