I Think With Blair Witch And The

You've Got To Work. You've Got To Want An Audience To Sit Forward In Their Chairs Sometimes, Rather Than Sit Back And Be Bombarded With Images.

One Of The Reasons I Loved Working With Tom Is People Feel They Know Who He Is... I Think Working With An Actor Who The Audience Already Has A Relationship With Actually Helps You In A Film Like This.

The Joy Of A Road Movie Is Its Very Simple Narrative Nature, Which Is That You Know You're Going To Go Through Different Places And You're Going To Meet New People. At The Same Time, You Have To Not Make It Feel Too Obvious And Too Crudely Episodic.

I Deliberately, In A Way, Went For Something That Was A Huge Challenge And Was A Big Period Film. I Was Excited About The Canvas On Which I Could Tell The Story As Much As The Story Itself.

Listen, You Make A Big Movie, You're Going Into The Coliseum, And People Are Going To Give You The Thumbs Up Or The Thumbs Down. And That's Part Of The Game. It's Part Of The Fun As Well.