I Try Personally Not To Be Nostalgic.

I Feel Like A Lot Of My Aesthetic Was In Response To Feeling The Awfulness And Cheapness Of That [ The 70'th].

For Example, I Noticed That Every Single Kid In The High School In 'the Death-ray' Is Based On Somebody I Went To High School With.

My Feeling Is That It's One Of The Very Few Things That Comics Can Do That You Really Can't Do In Any Other Medium. I Feel Like The Reader Accepts All Of These Styles, And After A Certain Point You Can Flip The Pages And See A Character Rendered Very Differently Than You Saw On An Earlier Page, And It's Not Jarring. It Suggests Things That You Can't Suggest Just In The Writing Or In The Plotting.

I Have Cultivated A Little Crew Of People Whose Opinions I Understand. It's Like The Way You'd Follow Certain Film Critics Because You Know What Their Criteria Are, And You May Not Agree With Them, But You Can Glean From Their Opinion How You Will Feel About A Film.

Writing A Screenplay, I'm Like, "all I'm Responsible For Is That Final Script, And I Take Great Effort And Pride In That." But Once I Give It To Someone To Make, I Can Disassociate With It Entirely And Not Worry That My Vision Isn't Being Represented, Because I Understand Fully That That's Not How It Works.