I've Always Felt That My Subject Was

The Force Of A Death Should Be Enormous But How Can You Know What Kind Of Man You've Killed Or Who Was The Braver And Stronger If You Have To Peer Through Layers Of Glass That Deliver The Image But Obscure The Meaning Of The Act? War Has A Conscience Or It's Ordinary Murder.

It Is So Much Simpler To Bury Reality Than It Is To Dispose Of Dreams

I've Always Seen Myself In Sentences. I Begin To Recognize Myself, Word By Word, As I Work Through A Sentence.

They Passed Out Of The Shade Beneath The Eaves And Flew Into Sunglare And Silence And It Was An Action She Only Partly Saw, Elusive And Mutely Beautiful, The Birds So Sunstruck They Were Consumed By Light, Disembodied, Turned Into Something Sheer And Fleet And Scatter-bright.

Sitting For A Picture Is Morbid Business. A Portrait Doesn't Begin To Mean Anything Until The Subject Is Dead. This Is The Whole Point. We're Doing This To Create A Kind Of Sentimental Past For People In Decades To Come. It's Their Past, Their History We're Inventing Here. And It's Not How I Look Now That Matters. It's How I'll Look In Twenty-five Years As Clothing And Faces Change, As Photographs Change. The Deeper I Pass Into Death, The More Powerful My Picture Becomes. Isn't This Why Picture-taking Is So Ceremonial? It's Like A Wake. And I'm The Actor Made Up For The Laying-out.