I've Walked Out Of Films. But For

I'm Developing The Stuff All The Time. There's A Film In My Head. I'm Imagining A Film.

I Mean, Artistic Processes Are All About Making Choices All The Time, And The Very Act Of Making A Choice Is The Distilling Down And The Getting To The Core Of What It Is That You Care About And What You Want To Say, Really.

You Will Find Hardly Any Improvising On Camera Anywhere In My Films. It's Very Structured, But It's All Worked Out From Elaborate Improvisations Over A Long Period, As You Know.

The Notion That Acting Is Simply About Intuitively Responding To Situations The Way You Feel Couldn't Be Farther Away From How I Ask Actors To Work.

I Think The Camera Has Got To Be Motivated. You Can't Have Things Arrived At Gratuitously. Everything Has To Have An Organic Function, But The More Comfortable I've Become And The More Imaginative And Sophisticated And The More Exploratory I've Become At The Medium, The More I've Subtly Deviated Away From That In Various Ways.