I Want All Of My Films To

That's How I Like To Do It With Actors, Have Them Really Go For It And I'll Tell Them When It's Too Much. It's Always Easier To Bring It Back Then To Push It Further.

Cinema Really Lends Itself Well To Big, Archetypal Stories, You Know, Classic Old Stories And You Need Kind Of A Weird, Big Terrain Like The Japanese Plains For Samurai Movies Or The West. You Need That For These Giants To Walk Around.

Independent Means One Thing To Me: It Means That Regardless Of The Source Of Financing, The Director's Voice Is Extremely Present. It's Such A Pretentious Term, But It's Auteurist Cinema. Director-driven, Personal, Auteurist... Whatever Word You Want. It's Where You Feel The Director, Not A Machine, At Work. It Doesn't Matter Where The Money Comes From. It Matters How Much Freedom The Director Has To Work With His Or Her Team. That's How I Personally Define Independent Movies.

All Three Parts Of Filmmaking [writing, Shooting, Editing] Contribute To Rhytm. You Want The Script To Be A Tight As Possible, You Want The Acting To Be As Efficient As Possible On The Set, And You Have Enough Coverage To Manipulate The Rhythm In The Editing Room, And Then In The Editing Room You Want To Find The Quickest Possible Version, Even If It's A Leisurely Paced Film. I Definitely In Filmmaking More And More Find Writing And Directing A Means To Harvest Material For Editing. It's All About Editing.

When I'm Introduced As A Two-time Oscar Winner, I'm Happy That A Film Of Mine Has Found An Audience And Some Acclaim Because That Keeps Me In Business. A Filmmaker's Greatest Concern Is The Ability To Make Future Films, So It Helps Keep Me In Business.