I Was A Bouncer For Ten Years

I Love Thinking About The Film, The Project And Committing Myself As Much As Possible.

I Was Raised In New York City And Raised In The New York City Theater World. My Father Was A Theater Director And An Acting Teacher, And It Was Not Uncommon For Me To Have Long Discussions About The Method And What The Various Different Processes Were To Finding A Character And Exploring Character And Realizing That Character.

We've Come A Long Way, From Where We've Been. I'll Tell You All About It When I See You Again.

I Used To Do Fight Sequences, And I Started To Get Self-conscious About Fight Sequences, Because Invariably The Other Person Would Get Hurt, And You Never Want Anyone To Be Hurt On A Film, Let Alone You Being Responsible. The Great Thing About Working With Guys Who Have Spent Their Life Choreographing Fights For Wrestling Is That That's What They Do. That's Their Specialty. Their Specialty Is Selling Taking Hits. Their Specialty Is Selling Explosive Hits Without Making A Contact Or Doing Too Much Damage.

It's Remarkable How A Soundtrack Can Be So Important To The Storytelling And The Experience. I Think The Music Is Going To Make People See The Movie A Lot. The Music Is Going To Make You Want To Go See It Again. You Have So Much Fun In The Movie, And It's Music That You Want To Share With Your Kids, Anyway.