I Was Fair-skinned In A Country That's

[as A Producer] [big Little Lies] Is The Stories Of Women That I Know, And It Was A Way In Which We Could Go To Other Women And Say, "here's A Great Role. There's Five Great Roles Here. They're All Complicated. They All Deserve To Be Told, And Are You Interested?" And That Is Rare.

When You Know Psychologically What [characters] Are Feeling, Then That Plays Out On How You Dress A Lot Of Times.

I Love Acting With Very Little Dialogue. As Long As It's Supported. I Mean, In Terms Of Cinema, You Can Have A Great Monologue, But If You're Not Supported By The Images ... You Can Be Feeling Things And Then You See It Back, And You're Like, "none Of That Came Across." Or The Angle Of My Face Gives It A Completely Different Interpretation Than What I Was Trying To Communicate.

The Power Of Work, And The Power Of Creativity Can Be Your Salvation.

That Sort Of Detailed Filmmaking Is One, Hard To Do And Not Have It Be Pretentious, And Two, Have It Tell The Story, Which Is What You're Taught, That Cinema Is The Language Of Images And You Really Should Be Able To Make A Film With No Dialogue And Tell A Story.