I Was In The Beginning When [comic

No Matter How Good A Story Is, If You're At A Newsstand And You See A Lot Of Comic Books, You Don't Know How Good The Story Is Unless You Read It. But You Can Spot The Artwork Instantly, And You Know Whether You Like The Artwork, Whether It Grabs You Or Not.

I Think People Have Always Loved Things That Are Bigger Than Life, Things That Are Imaginative.

I'm Sort Of A Pressure Writer. If Somebody Says, "stan, Write Something," And I Have To Have It By Tomorrow Morning, I'll Just Sit Down And I'll Write It. It Always Seems To Come To Me. But I'm Better Doing A Rushed Job Because If It Isn't Something That's Due Quickly, I Won't Work On It Until It Becomes Almost An Emergency And Then I'll Do It.

Comic Books Themselves Are Getting More Literate. And There Are People Who Are Screenwriters And Television Writers And Novelists Who Are Writing For The Comics, For Some Reason, They Love Doing It And Some Of The Art Work In The Comics, I Mean It Rivals Anything You'll See Hanging On The Walls Of Museums, They're Illustrations More Than Drawings And All The People Are Discovering This And They're Turning On To It.

Usually, The Biggest Hang-up Is The Script. You Could Have A Script Done In Six Months That You Love, Or It Could Be Like The Fantastic Four It's Been Almost 10 Years.