I Went To Performing Arts Because That

I Turned Down A Lot Of Films Before I Made My First One. I Knew That It Was Time For Me To Get Into Movies.

We're Charlatans In A Way, We're Magic People. Part Of The Behind The Scenes Stuff Is To Loosen You Up, To Make You Feel That You Are Experiencing This. This Is My Style, I Did It In Looking For Richard, Too. And I Figure, If I Can Weave It Into The Actual Play And Get The Audience Interested, Like The Robes Going Up And Down, They'll Pay Attention Long Enough To Consume It.

I Like Women Who Can Cook. That's First. Love Is Very Important, But You've Got To Have A Friend First - You Want To Finally Come To A Point Where You Say That The Women You're With Is Also Your Friend.

Being The Actors Of The Craft, The Trade, One Of The Big Things You Do And You Learn Is About Repeating. There Is Something To The Repeats. I Think That Is Part Of What Is Healthy To Young Actors. Get Out And Learn Something Just Through Doing That, Repeating.

The Interesting Thing About This Is I Don't Know What My Vision [ In Salome The Play And Salomaybe] Is Yet About. I'm Sensing Something And I'm Going Along With It. It Reminds Me Of A Painting, The Way Jackson Pollack Painted - Jackson Pollack, The Great, Great Artist.