I Write Music Better In The Winter,

Miami Is Just Really Fun Whenever I Go There. It's Like This Post-apocalyptic Barbie World: Everything Is Pink, And There're Palm Trees Everywhere. But Then There Are Also All These People In Crazy Sunglasses, Warehouses With Sick Parties Where All The Girls Are Covered In Spikes And Black Leather. It's A Very Weird Place.

It's Kind Of Like I'm Phil Spector And I'm Forcing A Young Girl To Make Pop Music And Perform Exhaustively. Except, Instead Of It Being Someone Else, That Girl Is Also Me.

I Would Never Go To A Studio. I Need My Space, You Know What I Mean? I Need To Be Able To Chain Smoke And Pace About, Cry And Like... Spit. Just Make Noise, Make A Huge Mess. I Also Feel Like If I Was Concerned For The Cost Of The Studio - Like, 'this Is Costing 40 Dollars An Hour' - I Wouldn't Be Able To Work.

I Think One Of The Reasons I'm Successful As A Musician Is That The First Like 30 Shows I Played, I Played With No Monitors Standing In Front Of Guitar Amps In A Shitty, Smoky Warehouse Where People Were Screaming And Wasted, Knocking Over My Gear. So Shows After That Seem Pretty Easy!

I Think You Can Hear, When You Listen To Someone's Music, Whether Or Not They're Enjoying Making It - It's So Great To Hear Music Where You Can Tell The Person Making It Was Just Having A Blast. That's Really Important To Me As Far As My Process Goes. That's Probably Why My Music Ends Up Being So Poppy!