If I Was Any More On Edge,

If Had A Penny For Every Strange Look I've Gotten From Strangers On The Street I'd Have About 10 To 15 Dollars, Which Is A Lot When You're Dealing With Pennies.

When You Work With People And Are Friends With Them Also, You Have More Of A Shorthand. I Think People Relax More And It Opens The Door To Being Less Precious And Trying Things That, When You're Shooting And Writing, It Becomes Much More Collaborative - Therefore Funny, Hopefully.

Well, Basically, When You Get Snl, Everyone Wants To Take A Meeting, Just In Case You End Up Being Good.

As Long As I Get To Be Doing What I Love, Which Is Making Comedy And That Kind Of Thing, I Feel Lucky That I Get To.

Part Of Why I Think I Have So Much Fun Working In The Mockumentary Genre Is That You Can Cut To Pretty Much Anything At Any Time. People Are Now So Conditioned To Watch Documentaries - They Know How They Operate, And That You Can Introduce A New Character By Cutting To Them, And Now They're In It. Similarly, Being Able To Treat A Sidebar Idea That Has Nothing To Do With Your Main Story Really Seriously, The Way The Rest Of It Is Being Treated - All The Pomp And Circumstances Lend Themselves, I Feel, To Making Comedy Feel Really Earned And Funnier And Weirder.