If Man Is Not Ready To Risk

Could We Bring Ourselves To Feel What The First Spectators Of An Egyptian Statue, Or A Romanesque Crucifixion, Felt, We Would Make Haste To Remove Them From The Louvre. True, We Are Trying More And More To Gauge The Feelings Of Those First Spectators, But Without Forgetting Our Own, And We Can Be Contented All The More Easily With The Mere Knowledge Of The Former, Without Experiencing Them, Because All We Wish To Do Is Put This Knowledge To The Work Of Art.

Just As A Musician Loves Music And Not Nightingales, And A Poet Loves Poetry And Not Sunsets, A Painter Is Not Primarily A Person Who Responds To Figures And Landscapes. He Is Primarily One Who Loves Pictures.

Man Is Not What He Thinks He Is, He Is What He Hides.

To Love A Painting Is To Feel That This Presence Is ... Not An Object But A Voice.

Christ...an Anarchist Who Succeeded. That's All.