If You Ask Most High Schoolers Who

Years And Years Of Talking And Writing Versions Of The Script [sausage Party] And Looking At Various Versions Of The Animations - I Mean, It's Really A Lot Of Workshopping And Trying Different Things, And Using The Cast To Try Different Voices And Characters. And That's The Good Thing About Animation. Because It Takes So Long, It Allows You To Explore In A Way That You Can't In Live-action Movies.

We Were Really Fortunate To Work [on Pineapple Express] With A Studio That Was Really Supportive Of These Guys. It Was Before Superbad And Knocked Up Had Even Come Out, But Everyone Just Felt Really Great About Them And The Energy Surrounding Seth [rogen] And Evan [goldberg] And Judd [apatow] - All Of These Guys - And The Idea Of Getting Franco Back Into Comedy As Well.

I Hadn't Really Done A Comedy Other Than The Ape Since Freaks And Geeks.

When I Was 13 And 14, There Were A Lot Of Jokes About My Bar Mitzvah And My Grandparents, And Then When I Got Older, It Became More About Touching Boobs And Trying To Get Liquor, You Know? I Kind Of Ran The Gamut Of Infantile Behavior... And I Haven't Moved One Step Forward Since.

The Great Thing About Reading For Quentin [tarantino] Is You're Not Reading For Him, He's Reading With You. So He Sits Right Next To You.