In General Confusion Youth Recognizes Itself And

The Close-up Has No Equivalent In A Narrative Fashioned Of Words. Literature Is Totally Lacking In Any Working Method To Enable It To Isolate A Single Vastly Enlarged Detail In Which One Face Comes Forward To Underline A State Of Mind Or Stress The Importance Of A Single Detail In Comparison With The Rest. As A Narrative Device, The Ability To Vary The Distance Between The Camera And The Object May Be A Small Thing Indeed, But It Makes For A Notable Difference Between Cinema And Oral Or Written Narrative, In Which The Distance Between Language And Image Is Always The Same.

It Is Only After You Have Come To Know The Surface Of Things ... That You Can Venture To Seek What Is Underneath. But The Surface Of Things Is Inexhaustible.

The City Of Cats And The City Of Men Exist One Inside The Other, But They Are Not The Same City.

It Was The Hour In Which Objects Lose The Consistency Of Shadow That Accompanies Them During The Night And Gradually Reacquire Colors, But Seem To Cross Meanwhile An Uncertain Limbo, Faintly Touched, Just Breathed On By Light; The Hour In Which One Is Least Certain Of The World's Existence.

A Person's Life Consists Of A Collection Of Events, The Last Of Which Could Also Change The Meaning Of The Whole, Not Because It Counts More Than The Previous Ones But Because Once They Are Included In A Life, Events Are Arranged In An Order That Is Not Chronological But, Rather, Corresponds To An Inner Architecture.