In Order To Be Universal, You Have

This Was Pointed Out To Me By Somebody Who Referred To The Paintings Of Rembrandt And His Use Of Light: Some Elements Are Highlighted While Others Are Obscured Or Even Pushed Back Into The Dark. And It's Something That We Do - We Bring Out Elements That We Want To Emphasise.

When I Met Akira Kurosawa In Japan, One Question He Asked Me Was, "how Did You Actually Make The Children Act The Way They Do? I Do Have Children In My Films But I Find That I Reduce And Reduce Their Presence Until I Have To Get Rid Of Them Because There's No Way That I Can Direct Them." My Own Thought Is That One Is Very Grand, Like An Emperor On A Horse, And It's Very Hard For A Child To Relate To That. In Order To Be Able To Cooperate With A Child, You Have To Come Down To Below Their Level In Order To Communicate With Them.

I Often Say To My Students In Workshops That If They Are Trying To Find Literary Inspiration, They Should Not Go And Read Novels, Because Novels Are More Appropriate For Series. Where As They Should Read Short Stories - That's The Right Format For You To Be Able To Actually Display The Narrative In A Film.

In My Opinion The Man Looks At The Relationship In A More Bitter Fashion And The Woman Still Holds Great Hopes.

As Long As I Take The Responsibility Of The Choice, I Have To Make The Choice That Is As Right As Possible.