In Those Days It Was Either Live

Without The Possibility Of Action, All Knowledge Comes To One Labeled 'file And Forget.'

Everywhere I've Turned Somebody Has Wanted To Sacrifice Me For My Own Good—only /they/ Were The Ones Who Benefited. And Now We Start On The Old Sacrificial Merry-go-round. At What Point Do We Stop?

Every Serious Novel Is, Beyond Its Immediate Thematic Preoccupations, A Discussion Of The Craft, A Conquest Of The Form, A Conflict With Its Difficulties And A Pursuit Of Its Felicities And Beauty.

The Blues Is An Impulse To Keep The Painful Details And Episodes Of A Brutal Experience Alive In One's Aching Consciousness, To Finger Its Jagged Grain, And To Transcend It, Not By The Consolation Of Philosophy But By Squeezing From It A Near-tragic, Near-comic Lyricism. As A Form, The Blues Is An Autobiographical Chronicle Of Personal Catastrophe Expressed Lyrically.

That Which We Remember Is, More Often Than Not, That Which We Would Like To Have Been; Or That Which We Hope To Be. Thus Our Memory And Our Identity Are Ever At Odds; Our History Ever A Tale Told By Inattentive Idealists.