Is Someone Different At Age 18 Or

All My Films Are All My Children.

Since I Am A Person Who Starts Work Without Clear Knowledge Of A Storyline, Every Single Scene Is A Pivotal Scene.

I’d Like To See Manhattan Underwater. I’d Like To See When The Human Population Plummets And There Are No More High Rises, Because Nobody’s Buying Them. I’m Excited About That. Money And Desire—all That Is Going To Collapse, And Wild Green Grasses Are Going To Take Over.

It’s Disgusting. On Trains, The Number Of Those People Doing That Strange Masturbation-like Gesture Is Multiplying.

I Do All My Work By Storyboard, So As I Draw The Storyboard, The World Gets More And More Complex, And As A Result, My North, South, East, West Directions Kind Of Shift And Go Off Base, But It Seems Like My Staff As Well As The Audience, Doesn't Quite Realize That This Has Happened. Don't Tell Them About It.