It Has Been Said That Beauty Is

Everybody Calls "clear" Those Ideas Which Have The Same Degree Of Confusion As His Own.

Le Style, Pour L'e Crivain Aussi Bien Que Pour Le Peintre, Est Une Question Non De Technique Mais De Vision. For The Writer As Well As For The Painter, Style Is Not A Question Of Technique, But Of Vision.

In Times Like Ours, Where The Growing Complexity Of Life Leaves Us Barely The Time To Read The Newspapers, Where The Map Of Europehas Endured Profound Rearrangements And Is Perhaps On The Brink Of Enduring Yet Others, Where So Many Threatening And New Problems Appear Everywhere, You Will Admit It May Be Demanded Of A Writer That He Be More Than A Fine Wit Who Makes Us Forget In Idle And Byzantine Discussions On The Merits Of Pure Form.

We May, Indeed, Say That The Hour Of Death Is Uncertain, But When We Say This We Think Of That Hour As Situated In A Vague And Remote Expanse Of Time; It Does Not Occur To Us That It Can Have Any Connexion With The Day That Has Already Dawned And Can Mean That Death -- Or Its First Assault And Partial Possession Of Us, After Which It Will Never Leave Hold Of Us Again -- May Occur This Very Afternoon, So Far From Uncertain, This Afternoon Whose Time-table, Hour By Hour, Has Been Settled In Advance.

To Achieve Accurate Knowledge Of Others, If Such A Thing Were Possible, We Could Only Ever Arrive At It Through The Slow And Unsure Recognition Of Our Own Initial Optical Inaccuracies. However, Such Knowledge Is Not Possible: For, While Our Vision Of Others Is Being Adjusted, They, Who Are Not Made Of Mere Brute Matter, Are Also Changing; We Think We Have Managed To See Them More Clearly, But They Shift; And When We Believe We Have Them Fully In Focus, It Is Merely Our Older Images Of Them That We Have Clarified, But Which Are Themselves Already Out Of Date.