It Is Really A Matter Of Ending

If Our Titles Recall The Known Myths Of Antiquity, We Have Used Them Again Because They Are The Eternal Symbols Upon Which We Must Fall Back To Express Basic Psychological Ideas.. ...(they) Express Something Real And Existing In Ourselves.

We Are Concerned With Similar States Of Consciousness And Relationship To The World.. ..if Previous Abstractions Paralleled The Scientific And Objective Preoccupations Of Our Times, Ours Are Finding A Pictoral Equivalent For Man's New Knowledge And Consciousness Of His More Complex Inner Self.

The Fact That People Break Down And Cry When Confronted With My Pictures Shows That I Can Communicate Those Basic Human Emotions.. The People Who Weep Before My Pictures Are Having The Same Religious Experience I Had When Painting Them. And If You Say You Are Moved Only By Their Color Relationships Then You Miss The Point.

A Picture Lives By Companionship, Expanding And Quickening In The Eyes Of The Sensitive Observer. It Dies By The Same Token. It Is Therefore Risky To Send It Out Into The World. How Often It Must Be Impaired By The Eyes Of The Unfeeling And The Cruelty Of The Impotent.

The Romantics Were Prompted To Seek Exotic Subjects And To Travel To Far Off Places. They Failed To Realize That, Though The Transcendental Must Involve The Strange And Unfamiliar, Not Everything Strange Or Unfamiliar Is Transcendental.