It's Art That's Taught Me To Think

I Am Not A Performer But Occasionally I Deliberately Work In A Public Context. Some Sculptures Need The Movement Of People Around Them To Work.

I'm Not A Performer, In That I Don't Like The Public, But I Work In That Respect.

I Soon Realised That What Had Happened On A Small Scale Cannot Necessarily Be Repeated On A Larger Scale. The Stones Were So Big That The Amount Of Heat Required Was Prohibitively Expensive And Wasteful.

I'm Dealing With The Most Important Things There Are: Life And Nature. If This Doesn't Work, If This Doesn't Sustain Me, I Can't Go Back To Nature. I'm Right There. There's Nowhere To Go, And That Frightens Me.

Abandoning The Project Was Incredibly Stressful After Having Gone Through The Process Of Building The Room, Installing The Kiln, Collecting The Stones, Sitting With The Kiln Day And Night As It Came To Temperature, Experiencing The Failures.