It's Like Standing On The Edge Of

Good Writing Of Course Requires Talent, And No One Can Teach You To Have Talent.

What I Find Really Attractive Is Something That's Going To Be A Little Dangerous. Something That Might Get Me Into Trouble; You Know, You Turn Up In London And You've Just Rewritten Dickens. And, Of Course, Then You Think, 'what Have I Done?

At The Very End Of A Book I Can Manage To Work For Longer Stretches, But Mostly, Making Stuff Up For Three Hours, That's Enough. I Can't Do Any More. At The End Of The Day I Might Tinker With My Morning's Work And Maybe Write Some Again. But I Think Three Hours Is Fine.

I Never Base Characters On Real People. There Are People Who Do That But I Really Don't Know How To Do It.

Then I Fell In Love And Everything Went To Hell.