It's O.k. To Accept Good Fortune.

All You Do Is You Go Back To The Maida Vale Studios At Bbc In London, And It Feels Like You're In A Spaceship. It Feels Like You're In 2001 Or Something Like That. It's Massive And Well Constructed And Highly Technologically Advanced And Occupied By These Wise Scientists, Engineers, And Producers. Listening To It, It Just Doesn't Sound Like Me - That's A Younger Self That Didn't Know Who He Was Or What He Was Doing. I Can't Identify With A Nebulous Cloud.

I Don't Like The Idea Of Being Surrounded By Hidden Things; People You Can't See In Buildings And Cars.

My Booking Agent, Of Course, Here And Overseas, Their Tendency Is To Want To Build On A Certain Kind Of Measurable Success, And I Was Thinking Yesterday, What I'd Like To Do Is Maybe Start To Compile A List Of The Best 200 To 500 Capacity Rooms Around The World And Just Start Going To Them Again And Again And Again.

To Sing With Other People And For Other People, That's When You Can Really Learn Something About Your Voice. You Can Only Learn So Much If You Create Your Own Boundaries All The Time. But Then, Other People Can Really Teach You Something. You Know, If You're Trying To Sing With Them, Or If Someone Brings A Style.

I Was Really Looking Forward To Doing The Thing That I Do - I Basically Appear Just At The Beginning And At The End Of The 'the Glory Of The World' Play - But When I Got To Opening Night, I Started To Get Really Sad That That Was The Last Time I Was Going To See The Play As A Spectator Without Actually Being In It.