It's Pretty Clear That Fame Isn't Inextricably

What's Great About Documentary Genre, It Seems To Me, Is That It Can Be Experimental Filmmaking. You Have A License To Do A Lot Of Diverse Things Under The Umbrella Of "documentary."

Recently It's Become Much To My Surprise, Something That Does Happen. For Example, I Used To Get Almost All Of My Stories, And It's Probably Still True, From Newspapers. Primarily From The New York Times. No One Ever Really Thinks Of The New York Times As A Tabloid Newspaper And It Isn't A Tabloid Newspaper. But There Is A Tabloid Newspaper Within The New York Times Very, Very Often.

I Believe That We Face Incredible Obstacles In Our Attempts To See The World. Everything In Our Nature Tries To Deny The World Around Us; To Refabricate It In Our Own Image; To Reinvent It For Our Own Benefit. And So, It Becomes Something Of A Challenge, A Task, To Recover (or At Least Attempt To Recover) The Real World Despite All The Impediments To That End.

People Often Trust Low-res Images Because They Look More Real. But Of Course They Are Not More Real, Just Easier To Fake. [...] You Never See A 10-megapixel Photograph Of Big Foot Or The Abominable Snowman Or The Loch Ness Monster.

I Think Calling Someone A Character Is A Compliment.