It's The Same The World Over. A

A Movie Isn't Good Or Bad Based On Its Politics. It's Usually Good Or Bad For Other Reasons, Though You Might Agree Or Disagree With Its Politics.

Fellini Was More In Love With Breasts Than Russ Meyer, More Wracked With Guilt Than Ingmar Bergman, More Of A Flamboyant Showman Than Busby Berkeley... Amarcord Seems Almost To Flow From The Camera, As Anecdotes Will Flow From One Who Has Told Them Often And Knows They Work. This Was The Last Of His Films Made For No Better Reason Than Fellini Wanted To Make It.

The Last Airbender Is An Agonizing Experience In Every Category I Can Think Of And Others Still Waiting To Be Invented. The Laws Of Chance Suggest That Something Should Have Gone Right. Not Here. It Puts A Nail In The Coffin Of Low-rent 3d, But It Will Need A Lot More Coffins Than That.

Here's How Much I Know About Hockey. Mike Royko And I Were In A Tiny Bar One Winter Night, And The Radio Kept Reporting Goals By The Blackhawks. I Mentioned How Frequently The Team Was Scoring. 'you're Listening To The Highlights,' Royko Observed.

Occasionally An Unsuspecting Innocent Will Stumble Into A Movie Like This And Send Me An Anguished Postcard, Asking How I Could Possibly Give A Favorable Review To Such Trash. My Stock Response Is Ebert's Law, Which Reads: A Movie Is Not About What It Is About. It Is About How It Is About It.