Memory Isn't The Facts, It's Just A

I Had To Put The Word Out To People That I Didn't Cost A Fortune, And I Was Prepared To Work At Home. Because That's The Assumption: "well, He Lives In America Now, We Can't Afford Him, We Won't Bother."

I'll Generally Write Out Every Scene That's In The Film On A Couple Of Pieces Of Paper, Just With A Little One-line. And Then I Can Scan It A Bit And Go, 'this First Third Of The Film, Generally, I'm Kind Of Calm.' Then I Might Do Something On One Piece Of Paper That Just Relates To The Energy Of The Character.

If Something Doesn't Come Out Of Your Mouth Right, You've Got To Acknowledge The Fact That You're Trying To Deliver An Honest Performance. If It Doesn't' Come Out Of Your Mouth Correctly, Then It's Not Going To Work.

I Tend To Project My Father Figure Onto Any Director That I'm Working With, Or Mother, If I'm Working With A Female, Or It Can Be Confused.

You Never Really Know What The Director Has Got In His Mind As Far As The Scene Visually And Art Direction Wise, Etc. Even If You Do, Sometimes There's A Side Of Things That Don't Necessarily Gel The Way People Intend. So There A Bit Of A Mystical Entity, Film.