My God Is Narrative Filmmaking.

I Think That There's An Infinite Amount Of Places Where You Can Stick A Camera. There's An Infinite Amount Of Choices Of What Could Be Going On. There's An Infinite Amount Of Places For So Many Things, So You Have To Figure Out How To Do Your Job.

Also Expressionistic Filmmaking - Making The Audience Feel Like They Were Inside The Characters' Heads. And So We Create All These Different Types Of Techniques To Put The Audience There.

It's Not That Much Of A Difference. Basically, Your Job Is The Same As A Film Director. It's A Triangle Between Creativity, Money, And Time. But They Don't Really Change. You're Ultimately Trying To Get The Most Creativity And Time With The Money That You Have.

I Have A Team, The Same Team Of Filmmakers I Worked With On 'pi' And 'requiem'. Which Is My Cameraman, And My Composer, And My Producer. We've All Worked Together For A Number Of Films.

I've Been Joking That If Madonna Taught Us Anything, You've Got To Reinvent Yourself. I Think It's Important As A Filmmaker, As Any Person Working In The Arts, That You've Got To Try New Stuff And Challenge Yourself And Take Chances. I've Tried To Take A Chance With Every Film I've Done - I've Never Done It The Easy Way, And I Think That's Because That's What Excites Me, Is Making As Big A Mountain As I Can In Front Of Me, And Just Trying To Mount It.