My Love For Dan Brown Knows No

You Can't Assume If You Do Something Contentious That People Will Be On Your Side. The Moment Violence Enters The Story, The Story Changes. Then The Question Is, "how Do You Face Up To Violence?" And Then You Have To Have A No-compromise Position. And This Is Quite Simply A Lesson We Learn In The School Playground.

Among The Great Struggles Of Man-good/evil, Reason/unreason, Etc.-there Is Also This Mighty Conflict Between The Fantasy Of Home And The Fantasy Of Away, The Dream Of Roots And The Mirage Of The Journey.

When People Use The Term Magic Realism, Usually They Only Mean 'magic' And They Don't Hear 'realism', Whereas The Way In Which Magic Realism Actually Works Is For The Magic To Be Rooted In The Real. It's Both Things. It's Not Just A Fairytale Moment. It's The Surrealism That Arises Out Of The Real.

Every Day Is For The Thief, By Turns Funny, Mournful, And Acerbic, Offers A Portrait Of Nigeria In Which Anger, Perhaps The Most Natural Response To The Often Lamentable State Of Affairs There, Is Somehow Muted And Deflected By The Author's Deep Engagement With The Country: A Profoundly Disenchanted Love. Teju Cole Is Among The Most Gifted Writers Of His Generation.

What Kind Of Christmas Present Would Jesus Ask Santa For?