Never Say No To An Idea -

When I Made My First Film, I Think The Thing Was Probably Helped Me The Most Was That It Was Such An Unusual Thing To Do In The Early 50s For Someone Who Actually Go And Make A Film. People Thought It Was Impossible. It Really Is Terribly Easy. All Anybody Needs Is A Camera, A Tape Recorder, And Some Imagination.

The Essence Of Dramatic Form Is To Let An Idea Come Over People Without It Being Plainly Stated. When You Say Something Directly, It's Simply Not As Potent As It Is When You Allow People To Discover It For Themselves.

I Don't Think That Writers Or Painters Or Filmmakers Function Because They Have Something They Particularly Want To Say. They Have Something That They Feel. And They Like The Art Form; They Like Words, Or The Smell Of Paint, Or Celluloid And Photographic Images And Working With Actors. I Don't Think That Any Genuine Artist Has Ever Been Oriented By Some Didactic Point Of View, Even If He Thought He Was.

The Whole Idea Of God Is Absurd. If Anything, '2001' Shows That What Some People Call 'god' Is Simply An Acceptable Term For Their Ignorance. What They Don't Understand, They Call 'god' -stanley Kubrick, Interview, 1963

I Haven't Come Across Any Recent New Ideas In Film That Strike Me As Being Particularly Important And That Have To Do With Form. I Think That A Preoccupation With Originality Of Form Is More Or Less A Fruitless Thing. A Truly Original Person With A Truly Original Mind Will Not Be Able To Function In The Old Form And Will Simply Do Something Different. Others Had Much Better Think Of The Form As Being Some Sort Of Classical Tradition And Try To Work Within It.