Nobody Goes To A Movie And Watches

We Wanted To Show People What It Was Like In One Of Those Neighbourhoods That They Would Never Have Access To, In Bars That They Would Be Too Scared To Go Into, And A World That They Would Never Get To See. All Of That Is Something Really Unusual And Rare And Kind Of Fascinating. And The Only Way To Do That And To Make It Really Worthwhile Was That It Had To Be Authentic. We Dedicated A Lot Of Time And Energy To Making That Right And Real. So We Found Basically The Worst Locations That We Could.

I've Consciously Taken On Material That's A Bit Too Much For Me But Not An Overreach. The First Movie, Just About Performances. 'the Town,' I Learned How To Work Broader Material, Develop Tension, Direct Bigger Scenes, Action Sequences. 'argo,' I Experimented With Film Stock, Widened The Scope Of My Geography.

One Of The Differences Between Now And Then Is That The Idea Of Body Image Is A Much Bigger Issue Now. Back Then, Just Being Kind Of Heavy And Barrel-chested Passed For Heroic. Now, You Wouldn't Dare To Play A Hero Without A Lot Of Dieting And Various Specialised Abdomen Machines. But That Was One Of The Things Which Was Interesting About It And I Did Want To Portray Because There's Good And Bad.

I Like To Think That If I Were Gay I Would Be Out. Rupert Everett-style.

I'm Always Described As 'cocksure' Or 'with A Swagger,' And That Bears No Resemblance To Who I Feel Like Inside. I Feel Plagued By Insecurity.