Nothing's Lost Forever.

The Kind Of Theater That I Do Is Sort Of ‘narrative Realism,’ Which I Think In The Broadest Sense Is Legitimate To Say Is Mainstream. I Mean, In A Certain Sense, Suzan-lori's Plays Have Had Mainstream Levels Of Success. But Suzan-lori Is In Some Ways Not A Narrative Realist.

I'm Happy That I Feel A Little Less Out Of Place In Filmmaking Than I Once Was - But It's Almost Impossible For A Playwright In The U.s. To Make A Living. You Can Have A Play, Like I Did With 'angels,' And It Still Generates Income For Me, But It's Not Enough For Me To Live On And Have Health Insurance.

But I Think What Made Me Go Into Theater Was Seeing My Mother Onstage. The First Thing She Did Was Mrs. Frank In 'the Diary Of Anne Frank.' The Second Thing She Did Was A Play About Freud Called 'the Far Country.' She Played A Paralyzed Woman In Vienna Who Goes To See Freud.

I Wish You Would Be More True To Your Demographic Profile. Life Is Confusing Enough.

Real Love Isn't Ever Ambivalent.