One Hopes That Each Piece Contains Enough

We As Beings Are Very Contradictory, Complicated Creatures That Work In Our Best Interest And Against Our Best Interest. In A Certain Way, I Want My Work To Have All That Messiness.

I Really Love Printmaking. It’s Like A Mystery And You’re Trying To Figure Out How To Rein It In.

You Start With A Generic Body, But I Think The First Wall You Hit With Portraiture Is Comprised Of History And Storytelling And The Nature Of Characters - Whether They Are Historical Or Coming From Literature Or Documentation. Those Are The References We Have To People, Besides Your Family, And The Intimacy Of Portraiture Is In The Specifics Of Individuals. For Me, It Came Out Of Doing Things About Animals.

I Got Into Animals By Drawing Hair Follicles. I Liked Drawing Hair, And From That I Got Into Feathers And Fur, Then Into Images Of Animals. The Patterning Is The Same, But The Proportions Of The Body Change From One Animal To The Next. A Lot Of It Is Just Geometry And Consciousness.

Stained Glass Enabled The Modern World.