One Night I Dreamed That I Painted

When Something Is New To Us, We Treat It As An Experience. We Feel That Our Senses Are Awake And Clear. We Are Alive.

Art As A Fantasy Has Been One Of My Earliest Experiences. I Suppose A Lot Of My Childhood Was A Fantasy That Involved Getting Away From Things I Didn't Like. Fortunately It Had Some Relationship To Reality So That Later I Was Able To, To Some Extent, Act As I Imagined I Might.

Sometimes I See It And Then Paint It. Other Times I Paint It And Then See It. Both Are Impure Situations, And I Prefer Neither. At Every Point In Nature There Is Something To See. My Work Contains Similar Possibilities For The Changing Focus Of The Eye.

Object In/ And Space - The First Impulse May Be To Give The Object - A Position - To Place The Object. (the Object Had A Position To Begin With.) Next - To Change The Position Of The Object. - Rauschenberg's Early Sculptures - A Board With Some Rocks On It. The Rocks Can Be Anywhere On The Board. - Cage's Japanese Rock Garden - The Rocks Can Be Anywhere (within The Garden).

Everybody Is Of Course Free To Interpret The Work In His Own Way. I Think Seeing A Picture Is One Thing And Interpreting It Is Another.