One Of My Problems Is To Find

What Is Important To Me In My Work Is The Identity That Is Hidden Behind So-called Reality. I Search For A Bridge From The Given Present Tot The Invisible, Rather As A Famous Cabalist Once Said, 'if You Wish To Grasp The Invisible, Penetrate As Deeply As Possible Into The Visible'.

I Believe The Reason I Love Painting So Much Is That It Forces One To Be Objective.

One Thing Is Sure - We Have To Transform The Three-dimensional World Of Objects Into The Two-dimensional World Of The Canvas.. ..to Transform Three Into Two Dimensions Is For Me An Experience Full Of Magic In Which I Glimpse For A Moment That Fourth Dimension Which My Whole Being Is Seeking.

I Hardly Need To Abstract Things, For Each Object Is Unreal Enough Already, So Unreal That I Can Only Make It Real By Means Of Painting.

My Heart Beats More For A Raw, Average Vulgar Art, Which Doesn't Live Between Sleepy Fairy-tale Moods And Poetry But Rather Concedes A Direct Entrance To The Fearful, Commonplace, Splendid And The Average Grotesque Banality In Life.