One Of The Benefits Of Playing To

I Still Feel Like If I Can Get A Song To Work With, Say, A Basic Beat, A Rhythm, Some Chord Changes, And A Melody, A Vocal Melody - If It Works With That, Then I Feel It's Written And There's Something There. So I Intentionally Don't Get Involved With Arranging Stuff Or Fussing Over The Sounds And The Edits And The Beats Too Much, At Least Not In The Beginning, Because I Feel Like Then You Can Fool Yourself That You've Got Something There, When You Might Not.

Sometimes The European And North American Public Like Some Things To Be Exotic And Kept At Arm's Length. They Don't Want Sometimes To Know That Foreign Artists Are Doing Something That's At Least As Relevant As What's Being Done Here.

The More You Know, The More You Know You Don't Know And The More You Know That You Don't Know.

I'd Been Keeping Tour Diaries, And Especially When I Go Somewhere Where I Felt The Experience Might Be Interesting, Like Eastern Europe Or South America Or Whatever, Where The Whole Perception Of What I Was Doing There And Stuff That I Was Seeing And Music I Was Hearing, I Could Put All That Into A Diary.

If I'm Feeling That I Have An Angle Or Something To Say Or Something Where In A Way I'm Having A Conversation With Myself, That's Immensely Pleasurable.