One Of The Things I Think Is

You Can't Teach Anyone. You Can't Tell Anyone. That's The Thing You Have To Sit Down And Experience In Order For It To Mean Anything. You Can't Intellectualize It. It's Like Why Movies Are Cool. It's A Combination Of Pictures And Design And Acting And Music Can Create An Experience That Is Outside Of The Experience That You Can Actually Have In Reality, Which Gets To My Motion Picture Philosophy. People Are Like, 'aren't You Trying To Make The Movies As Real As You Can?'

There Was This Interesting Quote: Try And Live Your Life Without Fear And Desire. It's This Concept That's Like When You Look At A Painting In A Museum And You Are Held In Aesthetic Arrest. So The I, The Ego, Is Stripped, Is Gone. The Observer And Thing Become One. That's Where Fear And Desire Come In Because You Don't Want To Own It, Possess It, Desire It, And It's Not Moving You To Fear. It's Like You're In This Harmonious State With The Object.

It's Interesting Now That Basically A Cg Set Is The Same Cost As A Real Set. So Like If You're Going To Build A Cg House In The Suburbs, It Costs You $200,000. And If You Were Going To Build It In A Computer, It'll Cost You $200,000. It's The Same... The Relationship Is Exactly The Same.

In The Making Of Book ["300"] There's A Guy Named Victor Davis Hanson Who Is A A Frickin Genius. He's A Greek Historian And We Showed Him The Movie Because I Wanted Him To Write A Forward To The Making Of Book. I Was A Little Nervous To Be Honest, Because I Wasn't Sure How He'd React.

You Can't Have A Superman That Is Battling Cultural Morality. You Need A Superman That Has Built In Sort Of Values.