Over The Long Haul I'd Say That

Essentially, The Scripts Are Not That Different. Let's Say, In Literary Terms, It's The Difference Between Writing Horizontally And Writing Vertically. In Live Television, You Wrote Much More Vertically. You Had To Probe People Because You Didn't Have Money Or Sets Or Any Of The Physical Dimensions That Film Will Allow You. So You Generally Probed People A Little Bit More. Film Writing Is Much More Horizontal. You Can Insert Anything You Want: Meadows, Battlefields, The Taj Mahal, A Cast Of Thousands. But Essentially, Writing A Story Is Writing A Story.

It's Part Of The Business Of Really Not Caring About Topping Myself Because I Really Don't Care What's Going To Happen. I Think Just Surviving Is A Major Thing. I'd Like To Write Something That My Peers, My Colleagues, My Fellow Writers Would Find A Source Of Respect.

Our Greatest Responsibility Is Not To Be Pencils Of The Past.

I Was Deeply Interested In Conveying What Is A Deeply Felt Conviction Of My Own. This Is Simply To Suggest That Human Beings Must Involve Themselves In The Anguish Of Other Human Beings. This, I Submit To You, Is Not A Political Thesis At All. It Is Simply An Expression Of What I Would Hope Might Be Ultimately A Simple Humanity For Humanity's Sake.

I'm Frequently Surprised, Sometimes Bugged Off, And Sometimes Happy, Depending On The Actor. It's A Fact Of Life That Just As Often As Not An Actor Can Breathe Life Into A Line As He Can Destroy It By Misinterpretation, And I've Been Blessed Frequently By Having Good Actors.