Paris Is A Place Where, For Me,

People Often Call And Say: "can You Help Me To Get Bill Murray In Our Movie." But I'm Always Like, "well I Don't Know How To Do That!" I've Sometimes Tried And Not Been Able To Get Him But Then I'll Suddenly Be Very Surprised By The Thing That He Will Suddenly Decide To Do.

I Don't Know What Is In Store For The Movie Business Any Better Than Anybody Else Does, But It Does Seem Like My Kind Of Movies Are A Little Trickier Than It Used To Be - Or Maybe A Lot Trickier.

If Somebody Asks Me About The Themes Of Something I'm Working On, I Never Have Any Idea What The Themes Are. . . . Somebody Tells Me The Themes Later. I Sort Of Try To Avoid Developing Themes. I Want To Just Keep It A Little Bit More Abstract. But Then, What Ends Up Happening Is, They Say, 'well, I See A Lot Here That You Did Before, And It's Connected To This Other Movie You Did,' And . . . That Almost Seems Like Something I Don't Quite Choose. It Chooses Me.

People Often Call And Say: "can You Help Me To Get Bill Murray In Our Movie." But I'm Always Like, "well I Don't Know How To Do That!" I've Sometimes Tried And Not Been Able To Get Him But Then I'll Suddenly Be Very Surprised By The Thing That He Will Suddenly Decide To Do.

What Happened To Your Hand? It Got Hit By A Mirror. How'd That Happen? I Lost My Temper At Myself.