Part Of The Beauty Of Fiction Is

One Of Those Out-of-the-ordinary Days That Made Sense Of The Slew Of Ordinary Days. New York Had A Way Of Doing That. Every Now And Then The City Shook Its Soul Out. It Assailed You With An Image, Or A Day, Or A Crime, Or A Terror, Or A Beauty So Difficult To Wrap Your Mind Around That You Had To Shake Your Head In Disbelief.

People Are Good Or Half Good Or A Quarter Good, And It Changes All The Time- But Even On The Best Day Nobody's Perfect.

Sometimes We Just Walk Into Something That Is Not For Us At All. We Pretend It Is. We Think We Can Shrug It Off Like A Coat, But It's Not A Coat At All, It's More Like Another Skin. [...] All I Wanted Was To Make My Life Thrilling For A While: To Take The Oridinary Objects Of My Days And Make A Different Argument Out Of Them, No Obligations To My Past.

I Want The Younger Writer To Know That She Or He Is Meaningful, That What They Have To Say Is Powerful In This World. But They Can't Come Indoors, They Can't Close The Curtains, They Can't, Like, Lock Themselves Away From The World And Say Nothing.

I Think A Good Novel Can Be A Doorstop To Despair. I Also Think The Real Bravery Comes With Those Who Prepared To Go Through That Door And Look At The World In All Its Grime And Torment, And Still Find Something Of Value, No Matter How Small.