She Doesn't Quite Chop His Head Off.

Nancy's Got A Guardian Angel. Seven Feet Plus Of Muscle And Mayhem That Goes By The Name Of Marv.

In A Way, 'sin City''s Designed To Be Paced Somewhere Between An American Comic Book And Japanese Manga. Working In Black And White, I Realized That The Eye Is Less Patient, And You Have To Make Your Point, And Sometimes Repeat It. Slowing Things Down Is Harder In Black And White, Because There Isn't As Much For The Eye To Enjoy.

The Fundament Of A Superhero Is The Guy In Tights Saving Innocent People From Bad Things. It's Amazing How Infrequently That Seems To Happen In Superhero Comics These Days.

Comics Are So Full Of Amazing Work. And I Can’t Look At A Drawing Of A Woman Without Thinking Of, For Instance, Wallace Wood And His Amazing Way Of Capturing Beauty.

Working With The Kind Of Talent That I've Gotten To Work With, Like The Cast Of Sin City, It Makes Me Think Probably More Fully Dimensionally About What Is Going On Behind Their Eyes. But I Draw The Way I Draw, And Ain't Nothing Gonna Change That. Although, I Draw Marv And I Think, "boy, I Could Throw A Little Mickey [rourke] In There."