Sometimes The Solitary Voice Can Be The

In The Comic-book World, There Tends To Be An Overblown Sense Of Tradition. Bad Habits Die Hard. There Are Ways I Think The Form Could Work More Effectively If We Lost The Bad Habits That Were Created Before We Were Born.

Working With The Kind Of Talent That I've Gotten To Work With, Like The Cast Of Sin City, It Makes Me Think Probably More Fully Dimensionally About What Is Going On Behind Their Eyes. But I Draw The Way I Draw, And Ain't Nothing Gonna Change That. Although, I Draw Marv And I Think, "boy, I Could Throw A Little Mickey [rourke] In There."

It's One Thing To Be Sitting At A Drawing Board, Alone In Your Home And Coming Up With A Fantasy Character, And Drawing Her Whichever Way You Feel Like Drawing, Then Dealing With A Real Performer. All Of A Sudden, Things Change. It's Amazing, In Working With Actors, How Much I Learn From Them And How Many New Lines Will Come To Mind Because Of Their Personality Or Their Strengths.

You Can Never Escape Me. Bullets Don't Harm Me. Nothing Harms Me. But I Know Pain. I Know Pain. Sometimes I Share It. With Someone Like You.

The Comics I Read As A Kid Were All About Guys In Tights. But Here Was A Guy Who Wore A Fedora. He Fought Crime Like They Did In Marvel And Dc, But He Did It In The Real World. I Had Just Turned 12 When I Met The Spirit And It Was A Strange Coincidence. At The Same Time I Discovered Girls I Fell Out Of Love With Guys In Tights.