Teaching People To Draw Is Teaching People

It's Very British To Go About To See Something Unusual And Paint It.

All Painters Are Interested In Photography To A Certain Extent.

The Camera Can't See Space. It Sees Surfaces. People See Space, Which Is Much More Interesting.

Modernism In A Way, Early Modernism, For Instance, In Pictures, Was Turning Against Perspective And Europe. And All Early Modernism Is Actually From Out Of Europe, When You Think Of Cubism Is African, Is Looking At Africa, Matisse Is Looking At The Arabesque, Oceania. Europe Was The Optical Projection That Had Become Photography, That Had Become Film, That Became Television And It Conquered The World.

What The Art Historians Had Forgotten Is That In Chinese, Japanese, Persian, And Indian Art, They Never Painted Shadows. Why Did They Paint Shadows In European Art? Shadows Are Because Of Optics. Optics Need Shadows And Strong Light. Strong Light Makes The Deepest Shadows. It Took Me A Few Years To Realize Fully That The Art Historians Didn't Grasp That. There Are A Lot Of Interesting New Things, Ideas, Pictures.