That's Why I Like Fast Film. It

I Hope I'm Still Shooting When I'm 80.

It Was 100 Feet Of 16 Mm Black-and-white Film Of A Car Coming To A Stop Sign, And Driving Off. I Had To Decide How To Frame And Light It. It Was Magic. There Was A Sense Of Mystery.

With Today's Fast Films, You Can Light The Way Your Eye Sees The Scene. You Can Abuse The Film And Create Subtleties In Contrast With Light And Exposure, Diffusion And Filters. That's What Makes It An Art.

I Think One Of The Reasons People Quit Is Because They're Afraid They Won't Be Able To Get Better And Better; That They Have To Come To A Zenith Of Some Kind.

It Took A While For Me To Grasp That My Colleagues Believe I Have Made An Impact On The History Of Cinema.